The artist’s Crystallizations series is marked by a fascination with cosmic creation and a sublime awareness of the fragmentary—and thereby infinite—nature of the universe’s forms. Her creative point of departure lies in diverse shapes reminiscent of tree trunks or branching canopies. Yet these forms only truly come to life beyond formal boundaries—liberated by the abstract, white, frameless drawing surface that allows for open and fluid expression. The form becomes almost tangible; enriched by meditative intuition, it ultimately establishes a social, most often intimate, dimension. It is precisely this synthesis of the individual into the universal—the recognition of a forest among a multitude of individual trees, the emergence of form beyond mere content—that in its most extreme phase leads to an iconography, a symbolic depiction of some universal form. The process of drawing is long, meditative, and intimate. It is precisely for this reason that her images reflect a sense of order, balance, and harmony among the depicted forms.
Artists & Poors
